If you are familiar at all with THE BROOKLYN GLUTTON, you know that we make it our business to catch some live music between meals whenever possible. In the past year, more than ever before, we managed to shoot some video at many of the shows we attended, most of which can be found on THE BROOKLYN GLUTTON VIDEO TUBE. Click on the photos below to link to relevant live videos, when available. All concert photos and videos are BROOKLYN GLUTTON originals. We shoot using available light on highly portable consumer grade equipment. While the images (and sound in the case of the videos) may be less than perfect, we try first and foremost to capture the energy of the performance and the connection between the artists, their material and their audience. These are not the only shows we made it to in 2011, but they are certainly some of the highlights and a wide enough array of music to keep things interesting. Enjoy the photos and the performances, and support live music in NYC!

LEROY JUSTICE played a late night set at ROCKWOOD MUSIC HALL early last year on a cold night in January. They were joined by Cody Dickinson of The North Mississippi Allstars, who sat in for part of the set. Cody had opened for Robert Plant’s Band of Joy at the Beacon Theater earlier in the evening with his duo, in which he plays with his brother, fellow Allstar, Luther Dickinson. A fun time was had by all in a great little room with one of the better New York based rock bands that you may not have heard yet.
VIDEO LINK : “All My Life” with Cody Dickinson

MIDDLE BROTHER at MUSIC HALL OF WILLIAMSBURG was a much anticipated show featuring this low key supergroup led by three singers who front other bands we love. Pictured above, from left to right, Matt Vasquez is the lead singer of DELTA SPIRIT from San Diego, CA; Taylor Goldsmith is the lead singer of Los Angeles based rock outfit, DAWES, and John McCauley fronts the genre defying DEER TICK, from Providence, RI. Together, these guys create music that is driven by folk harmony, but it rocks…and each member brings to the table the high energy and intensity that defines each of their other bands. On this great night of music last March, DEER TICK opened the show, followed by a set by DAWES, both of which have since released great new albums during the year. We’re not sure what MIDDLE BROTHER has in store for us in the year ahead, but we’ll be watching all of these projects as they continue to define a new frontier in rock music.

LO FABER and AARON MAXWELL are the opposite but equal voices and guitars of GOD STREET WINE, a unique jazz infused jam rock combo that played constantly around New York area clubs in the late ‘80’s and throughout the ‘90’s, building a devout following at The Nightingale Bar on 2nd Avenue and The Wetlands Preserve, as well as on the Northeast college circuit, until they ultimately broke up in 1999. More than ten years later, after a couple of sold out reunion benefit shows last year at Gramercy Theater and Irving Plaza, Lo and Aaron, clearly feeling the return of the magic, began playing some smaller gigs as a duo. The photo above, taken from an awkwardly close seating position at JOE’S PUB earlier this year, features the duo (Maxwell on left, Faber on right), along with Jason Crosby (center). We were not equipped with a wide enough lens to capture original GSW members, Dan Pifer on Bass and Jon Bevo on Piano, who also joined the duo for this intimate show, making it a four-fifths reunion, all but drummer Tom Osander (aka Tomo), who moved to Ireland after the band broke up and has played consistently over the years with Damien Rice and Lisa Hannigan. Learn more about GSW now and then in one of our earliest posts from October, 2010. Also, JON BEVO’S LOVE ORCHESTRA, another GSW spin off, will be playing Mexicali Live, in Teaneck, NJ on Saturday, January 28th, 2012. Three-fifths GSW will be present (Bevo, Faber and Maxell), along with Jason Crosby and others.
VIDEO LINK: “Edgar’s Back in Town” from Joe’s Pub

Jazz/Funk jam trio, SOULIVE, returned to BROOKLYN BOWL in March, 2011 for their 2nd annual 10-night residency, known as BOWLIVE (Bowlive II, in this case). Featuring special guests each night, ERIC KRASNO (far right) and the brothers Evans performed three sets nightly, always with the original Soulive trio in the middle, preceded by affiliates, such as NIGEL HALL or ALICIEA CHAKOUR, usually with Krasno in the mix, and closing with a full out LETTUCE backed jam, led by the featured guest or guests of the night. This years standout performers were vocalist, COREY GLOVER of LIVING COLOUR, ROBERT RANDOLPH, and KARL DENSON. MATISYAHU, who was scheduled to close out Bowlive on the final night, was a no-show. The festivities kicked off on opening night, with 600 free shots of tequila courtesy of Brooklyn Bowl owner, PETER SHAPIRO, to get things going, and over the course of two weeks, there were many great moments of music to be remembered. Of all the possible shows in the coming year, the prospect of BOWLIVE III is the one we look forward to the most.
VIDEO LINK: “Thank You Falettinme Be Mice Elf Agin” with Corey Glover, Robert Randolph, and Nigel Hall

On the night of the Super Moon, Brooklyn Bowl was visited by ANDERS OSBORNE, not looking completely unlike the Werewolf, himself. The New Orleans songwriter plays a mean, hard driving blues guitar and sings with his heart and soul. Osborne’s intense delivery makes for an exciting live music experience that should not be missed next time around. He will be touring the South and Midwest with Keb Mo in January. The video link features a powerful cover of Neil Young’s “Ohio.”
VIDEO LINK: “Ohio” live at Brooklyn Bowl

NEIL YOUNG’s solo concert at AVERY FISHER HALL at LINCOLN CENTER in April was one of the greatest shows of the year by one of Rock’s greatest living legends, whom we had never before had the opportunity to see perform live. Unlike many touring artists with catalogs as deep as his, Young pretty much performs the same songs every night of his tour, rather than switching up the set list regularly. Nevertheless, he feigns indecisiveness as he meanders around the stage to select a guitar or approach one of his three keyed instruments (a harpsichord, a pump organ, and a grand piano). It is doubtful that many people are following NEIL YOUNG these days from city to city, given the consistency of the show and the steep ticket prices, but when he does come to your town, you are treated to a legendary rock performance of the highest order. Amidst the grandeur of one of New York City’s finest concert halls, Young sounded better than ever at age 66, starting out on the acoustic guitar and gradually building to a distorted frenzy, drawing upon classics as well as songs from his latest recording, the similarly diverse, Le Noise, produced by (and sort of named after) the prolific Daniel Lanois. This is no tired nostalgia act. NEIL YOUNG’s voice is as good as it ever was, and he remains relevant, as proven by fresh renditions of some of his most beloved songs, like After The Gold Rush on the pump organ, and a solo electric version of Cortez The Killer. Sadly, Scottish Folk Singer, BERT JANSCH, who opened for Young on this tour, passed away this October after a long battle with cancer.

JERRY JOSEPH, since moving back to Portland, Oregon last year, has made it his business to return to NYC, particularly his old stomping grounds in Harlem, on several occasions in 2011, and with various projects and collaborations. At 50 years old, Joseph is at the top of his game musically, and he is as prolific as ever. In addition to intimate solo acoustic shows at Harlem’s SHRINE (pictured above) and CAFE ADDIS, as well as THE LIVING ROOM on the Lower East Side, Joseph returned for duo shows with genius percussionist, Wally Ingram in the Springtime, and again in Summer, when they were joined by guitar virtuoso, Steve Kimock at MEXICALI LIVE in Teaneck, NJ, and superb bassist, Marc Friedman, from Boston jazz/rock outfit, The Slip, on the ROCKS OFF BOAT CRUISE. As if he had not sufficiently displayed his versatility and quality musicianship through his various solo, duo, and trio endeavors, August also brought the the powerful jam rock super group, STOCKHOLM SYNDROME to BROOKLYN BOWL, in which Joseph is the frontman on vocals and guitar, along with Widespread Panic bassist, Dave Schools, former P-Funk guitarist, Eric McFadden, Danny Louis of Govt Mule on keyboard and organ, and the illustrious Wally Ingram on drums. While largely unknown to the commercial masses, this great singer/songwriter and guitarist is constantly touring, and the New Yorkers in the know had many opportunities to catch his awesome live shows throughout the year. So far, it looks like 2012 will be bringing him to Cambodia, Vietnam, Maui, and Tulum, Mexico within the first several months of the year. We can only hope for a NYC detour along the way.
VIDEO LINK: “We Will Go Down/Good Sunday” w/ Wally Ingram at Shrine

Two of our favorites, WILCO and THE LEVON HELM BAND performed together at the 2011 SOLID SOUND FESTIVAL, curated by WILCO, at MASS MoCA in North Adams, MA. The two bands joined forces on “I Shall Be Released,” and “The Weight” to close out the weekend after full Wilco sets on each of the previous two nights. This was an historic moment as icons of two generations came together in a rare performance that was fun and relaxed, with the many musicians on stage seeming to have as much fun playing together as the elated crowd had witnessing it. Sadly, LEVON HELM’S voice is virtually gone, but no one in music has more heart and soul, not to mention class, and he showed it as he plowed through his turn at the microphone, trading verses with WILCO frontman, JEFF TWEEDY, guitarist and band leader, Larry Campbell, his wife, Theresa Williams, and Levon’s daughter, Amy Helm of Olabelle, who graced the stage in the late months of pregnancy and poured her heart out during her verse. If you are going to take the time to sit through only one video that is linked to this page, this ought to be the one to watch.
VIDEO LINK: “The Weight” live at the WILCO Solid Sound Festival 2011

We made the trek to Philadelphia to see MY MORNING JACKET at THE MANN CENTER. Jim James (a.k.a. Yim Yames) and the boys from Louisville, KY made only one stop in the New York area on this year’s tour, and it was a few weeks ago at the extraordinarily enormous Madison Square Garden. This fall show on a gorgeous night at his indoor/outdoor amphitheater in Philly, only two hours from home, was totally worth the trip to catch this incredible band on a slightly more intimate level, with the same great light show and the same awesome high energy rock and roll music. While MADISON SQUARE GARDEN may be the ideal forum in which to appreciate the band’s phenomenal light show, it is our least favorite place to see a concert in town, particularly since the re-design. Regardless, MMJ has become a big time rock and roll powerhouse, and fans are treated to an inspired performance with incredible production value time and time again.

EELS played a pair of shows at MUSIC HALL OF WILLIAMSBURG this July, and boy are we glad that we finally got to check these guys out. Led by Mark Oliver Everett, EELS always keep it fresh, currently touting an energetic brand of power pop while sporting hipster beards that make them look like they belong in the neighborhood. This is pure fun with a touch of angst…a far cry from Everett’s subdued shows with a string orchestra that passed through TOWN HALL several years back, and were made into a concert DVD.
VIDEO LINK: “Losing Streak” live at The Music Hall of Williamsburg

VETIVER hit NYC on a couple of occasions this year. We caught them as headliners at THE BELL HOUSE, but had to make the choice to miss Los Lobos at Brooklyn Bowl that night because of it. This San Francisco band’s brand of mellow pop is soothing and appealing, and even if it isn’t always the most dynamic, it consistently carries the good vibrations of a lovely Spring day. Lead singer and guitarist, Andy Cabic, a long time friend and collaborator of Devendra Banhart, strolls through the band’s repertoire with a light, melodic hand, devoid of Banhart’s weirdness, but full of 1970’s inspired retro-magic.
VIDEO LINK - “More of This” live at The Bell House

FANG ISLAND, the young band formed in Providence, Rhode Island, and now based in Brooklyn, NY packed them into BROOKLYN BOWL for a high energy show in May. Featuring not one, not two, but three loud, distorted guitars, FANG ISLAND describes their own music as “the sound of everyone high-fiving everyone.” The name of the game is fun for all, and while we might be inclined to dismiss an act like this as one for the kiddies, their frenetic performance was undeniably appealing and their music admittedly infectious.

THE FELICE BROTHERS, bonafide hillbillies from Catskill, NY, passed through NYC a few times this year, brandishing their timeless brand of anthemic rock in the spirit of those who came before them, such as The Band, for the city folk. We caught them at THE BELL HOUSE in Gowanus for a pair of sold out shows, in which they played their hearts out in their usual fashion, spinning tales of drunken escapades, drug dealing and incarceration. The band cancelled a run of shows in Europe this month after lead singer and guitarist, Ian Felice, was hospitalized with Shingles, but they managed to return stateside for a New Years Eve show closer to home in Hudson, NY at Club Helsinki, before returning to the UK and Europe in March.

GRACE POTTER & THE NOCTURNALS played CENTRAL PARK SUMMERSTAGE at the tail end of the season in late September. The statuesque blonde rock goddess from Vermont has definitely re-defined her image from crunchy girl next door to glam rock superstar, but there is definitely more to Grace Potter than long legs in short skirts. Her power rock songwriting is solid, and her band is extremely tight. Potter comes to work with a seemingly bottomless supply of energy, and her strong musicianship is undeniable on both guitar and Hammond organ. Of course we love seeing her strut and prance around the stage in heels wielding a Gibson Flying-V. She’s got a serious set of pipes and she’s got the moves, but she’s also got great songs. As much as one might want to believe otherwise, when it comes to GRACE POTTER & THE NOCTURNALS, the eye candy and the ear candy are inseparable.

2011 also brought the long overdue reunion of THE SPIN DOCTORS, celebrating the 20th Anniversary of the release of their internationally ubiquitous LP, “Pocketful of Kryptonite,” with shows at THE BOWERY BALLROOM and BROOKLYN BOWL. We caught them in Brooklyn, as the club’s lineage traces back to the hippie rock mecca, WETLANDS PRESERVE in Tribeca, where we used to see them regularly the first time around. The band sounded as good as they ever have, and frontman, Chris Barron was relaxed and playful, as he and the other three original Doctors of Spin seemed to enjoy the experience, along with the crowd, none taking it much too seriously but rather basking in the luxury of re-living a moment that had its place in time. Perhaps we will have a similar experience next week, when Evan Dando and THE LEMONHEADS take us back two decades with a live performance of “It’s a Shame About Ray” at THE KNITTING FACTORY on Wednesday, January 11th, 2012.

CAT POWER (a.k.a. Chan Marshall) lit up the darkness at WEBSTER HALL. The emotive singer from Atlanta, GA, has built a reputation over the years for being unpredictable in front of an audience, particularly earlier in her career when she grappled with substance abuse and stagefright. While Marshall certainly lurks in the shadows on stage, under dim lighting, where she gravitates to the general vicinity of the soundboard console at stage left, she sings with heartfelt passion and connects with her audience in a way that is more direct and personal than any performer we’ve ever seen. The video link features her final song of the night, a slow bluesy interpretation of “I Don’t Blame You,” and while the low lighting makes it almost unwatchable, it is worth watching to completion to see the sort of awkward yet earnest connection that Marshall makes with her fans. At the outset of the song, she asks that the house lights be turned on while she continues to perform in the dark. When the song is over, she allows her entire band to exit the stage while she lingers behind, waving humbly and awkwardly to the adoring crowd, and struggling to separate from them. The CAT POWER show was unlike other shows this year. It was personal and emotional, a moment that would be impossible to duplicate.
VIDEO LINK: “I Don’t Blame You,” live at Webster Hall

DEER TICK packed the house at Williamsburg’s DEATH BY AUDIO for a last-minute, free show in the earliest days of Occupy Wall Street to rally against of acts of police brutality by the NYPD against peaceful protestors. While the political content was certainly kept to a minimum, save for a few words from John McCauley about how it’s not OK for cops to beat up demonstrators, it felt like an underground event in the NYC of old. Fans and revelers were specifically instructed not to line up or loiter outside the venue until doors officially opened at 8pm, at which point the house was packed to point of becoming a hot, sweaty, smoky sardine can. It was the first time in a long time that we had to throw our clothes in the laundry immediately upon returning from the show due to the persistent odor of cigarette smoke.

FISHBONE, in their 25th year, brought an unlikely mosh pit to BROOKLYN BOWL. Joined onstage by HR of Rasta Punk icons, THE BAD BRAINS, the energy was raw and unbridled in the way that makes forty-year olds jump up and down…literally. This was a real treat for the kids in all of us. For the actual kids of today, FISHBONE announced a last-minute 3pm acoustic set at Brooklyn Bowl on the Sunday afternoon preceding the show. Sadly, we missed this, but it sounded like a blast. As we all know, it’s never to early to start skankin!
VIDEO LINK: “Bonin’ In The Boneyard” - live at Brooklyn Bowl

ALABAMA SHAKES, led by soulful songstress, Brittany Howard, rocked a sold out audience at BROOKLYN BOWL, then went on to kill it again at MERCURY LOUNGE and add an unannounced free Sunday night show at LAKESIDE LOUNGE before skipping town. More on ALABAMA SHAKES in our recent post from last month.
VIDEO LINK: “On Your Way” - live at Brooklyn Bowl

GARY CLARK JR. was one of the many artists to join THE ROOTS on stage at the 2011 Okayplayer Holiday Jam at BROOKLYN BOWL last Thursday night. Much like Alabama Shakes, this young artist made a wave at this year’s CMJ festival, and with only a couple of songs recorded on an independently released EP, he too is taking the music world by storm. While much of the night focused on Dancehall Reggae brought by the likes of Shaggy and Lady Patra as well as old skool hip hop led by Big Daddy Kane, all backed by THE ROOTS, Clark’s soulful blues guitar fit right into the program, giving the crowd a taste of things to come. We were unable to get into MERCURY LOUNGE a couple of nights earlier to catch Clark and find out what the buzz was about, so this unexpected appearance by the young Texas axeman was well timed and more than welcome.

Finally, we have to take a moment to acknowledge ?UESTLOVE, of THE ROOTS, who has established an ongoing Thursday night residency as a DJ at BROOKLYN BOWL, bringing the funky good vibes to Brooklyn week after week. In addition to his work behind the decks, the man who defies alphabetization by starting his name with a question mark, has also been known to sit in behind the drum kit for many a jam at the bowl.
2011 brought a lot of great live music. Let’s hope 2012 brings even more!